You’ve definitely met this lounge chair before. Its most classic form has two parts: a slightly reclined chair and a matching ottoman, both upholstered in leather and encased in a molded plywood shell ...

Over the course of three articles, writer and comics scholar Chris Gavaler helped us understand what comics are, the potential of the art form, and some of the many approaches to making comics. Still, ...

June 18, 1920 Fumaria officinalis (Common Fumitory) The Fumaria has a sensitive nature spirit, it tries to incorporate both ascending and descending energies. Its flower is wispy, seemingly without ...

AH: And it wasn’t just the Rio Olympics that found it useful. EH: NASA has a data visualization team, and they’ve created their own version in the same format, which has also been very popular and ...

Of all the senses, touch is the biggest taboo in a museum. Glass cases, stanchions, and signs pepper the galleries to remind us not to touch the art, in order to protect it. But what if allowing touch ...

Hear from artists, writers, and therapists about what happens when art and grief collide.

You raise such a crucial aspect of her adventure, especially in this moment when the self—the self as brand, the artist as lifestyle influencer—reigns supreme. By doing the work of others, Sturtevant ...

In France, the Royal Academy of Painting and Sculpture, founded in 1648 under the aegis of Louis XIV, began organizing an annual exhibition in 1667. Because the recurring location for this event was ...

Wright not only welcomed this hypothetical migration, he sought to design it. At the 1935 National Alliance of Arts and Industry Exposition at Rockefeller Center, he unveiled a massive, ...

The artist talks about Claude Monet, the muscle memory of painting, and why he’s packing a tube of orange paint for his summer in Maine.

I’ve always been somebody who watches. Initially, I got into photography because I wrote a book report about Lewis Hine. I wrote about his photograph of a child laborer at Carolina Mills. I was ...

On the occasion of MoMA’s recent acquisition of more than 200 works by Ken Jacobs, and the presentation of three of his films in Gallery 411: Ken Jacobs: Deep Cuts, we sat down with one of cinema’s ...