François Truffaut was a revered member of the French New Wave, but few people know about the filmmaker’s longtime friend and colleague, Helen Scott. Serge Toubiana, the president of Unifrance and the ...

He really liked women – a lot. Not all directors like women. Sometimes, they really don’t do you justice,” Jacqueline Bisset says of the French filmmaker François Truffaut, who directed her in the ...

A two-part documentary from 1996 —titled “The Man Who Loved Cinema”— has made its way online, and it’s a fascinating glimpse into Truffaut’s creative process and how his life informed his art, told ...

The late great New Wave auteur is given a worthy resurrection at the Cinematheque in Paris By Jordan Mintzer Francois Truffaut Still - H 2014 To commemorate the death of the great French director, ...

Click to share on X (Opens in new window) X Click to share on Facebook (Opens in new window) Facebook If there was any place to start a dive into the French New Wave, any key figure to visit first, it ...

Today would have been François Truffaut’s eightieth birthday; he was born on Feb. 6, 1932, and he died at fifty-two-years-old, on Oct. 21, 1984, during a period of renewed vigor for the French New ...

Emma Watson Cannot Have It Both Ways in Her Feud with J. K. Rowling The Great Relearning Happy Gilmore 2: Golf and Unity Audio By Carbonatix A newly released collection of his masterworks reminds us ...

One of the most remarkable things about François Truffaut's Jules et Jim, now regarded as the audacious apotheosis of the French New Wave, is that it was adapted from a novel written by a 75-year-old ...

Next Tuesday, the French Institute Alliance Française launches “First Shorts: Pialat, Truffaut, Godard, and Resnais,” a three-week series devoted to early films by, and documentaries about, those four ...

The 94-minute movie will be shown with Persian subtitles at the Nasseri Hall of the IAF at 6 p.m., Mehr reported. “The Green Room” is based on the 1895 short story “The Altar of the Dead” by Henry ...

Those unfamiliar with the nuances of France’s New Wave may not realize its movies aren’t all inscrutable. For every Jacques Rivette, there was an Eric Rohmer; for every Jean-Luc Godard, a François ...

In 1959, François Truffaut premiered his first film, about a Parisian boy playing hooky, and moviemaking hasn’t been the same since. By J. Hoberman One of the most impressive debuts in film history, ...