Lloyd Sun’s sense of humor is never sharper than when he compares foot binding in China to America’s transatlantic slave trade. It is a wicked wit that is laced throughout his 2018 play, “The Chinese ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick Lloyd Suh’s play is a riff on the arrival of the real Afong Moy, possibly the first woman from China in the United States, and a lens on ...
For all the Very Big Ideas that “The Chinese Lady” makes one ponder (racism, sexism, immigration, exploitation, xenophobia et al), it’s important to remember one crucial detail: It’s very funny. “I am ...
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